A Metamorphosis: From HGW XX/7 to a Good Man
A Story of Encountering the Other and the Self in Music
DOI:
https://doi.org/10.55016/ojs/muj.v2i2.79238Keywords:
The Lives of Others, music and transformation, psychological change, political ideology, interdisciplinary analysis, East Germany totalitarianism, Sufism and music, musicology, art and political changeAbstract
This paper explores the transformative power of music on psychological and political ideologies through the lens of the film The Lives of Others. It examines the character of Hauptmann Gerd Wiesler, a Stasi agent whose life undergoes profound changes after encountering the piece Sonata for a Good Man. Integrating insights from musicology, psychology, Sufism, and political science, the paper delves into how music transcends ideological boundaries, enabling deep personal introspection and connection. Unlike prior studies that focus broadly on art, this paper focuses specifically on music as a transformative force, offering a deeper exploration of how music incites psychological and ideological change. The analysis argues that music creates a liminal space where conventional boundaries dissolve, fostering a critical re-evaluation of one’s beliefs and perceptions. This transformation is evident in Wiesler’s shift from a loyal ideologue to a compassionate individual, impacting his emotional and cognitive states as well as his actions and ideologies. The paper highlights the capacity of music to challenge and alter both political and personal landscapes, emphasizing its role in facilitating ideological and emotional liberation. The paper contributes to a broader understanding of art’s impact on human behaviour and societal structures by examining the intersection of music and transformation within the context of East Germany. Through Wiesler’s story, the paper illustrates how art, particularly music, can be a potent force in challenging and reshaping ideological confines and nurturing human connection and empathy.
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