Vol. 37 No. 4 (2006): October 2006

Articles

• Dogboys and Lost Things; or Anchoring a Floating Signifier: Race and Critical Multiculturalism

  Debra Dudek

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• Art and the City: Salman Rushdie and His Artists

  Stuti Khanna

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• “My Father Didn’t Let Them Have Me”: Colonialism and the Extended Family, Whanau, in Patricia Grace’s Cousins and Baby No-Eyes

  Rauna Kuokkanen

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• “Reader, be assured this narrative is no fiction”: The City and Its Discontents in Phaswane Mpe’s Welcome to Our Hillbrow

  Gugu Hlongwane

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• “Does he have it in him to be the woman?”: The Performance of Displacement in J. M. Coetzee’s Disgrace

  Laura Wright

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• Post-Apartheid Johannesburg and Global Mobility in Nadine Gordimer’s The Pickup and Phaswane Mpe’s Welcome to Our Hillbrow

  Emma Hunt

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Reviews

• Leith Davis, Ian Duncan and Janet Sorenson, eds. Scotland and the Borders of Romanticism.

  Anne McWhir

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• Victor Li. The Neo-Primitivist Turn: Critical Reflections on Alterity, Culture, and Modernity.

  Howard Fruitman

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Other

• Notes on Contributors

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• Front Matter

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• Back Matter

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• Covers

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