‘Surprising, Rare, Unconceivable’: Animal Wonders in the Exotic Tradition

Authors

  • Philip Armstrong University of Canterbury

Keywords:

wonder, animals, exotic, magic realism, Behn

Abstract

From Herodotus onwards, the European tradition offers a rich record of wonderment as a primary constitutive of humans’ response to animals. According to Philip Fisher, “the experience of wonder continually reminds us that our grasp of the world is incomplete” (24). This article seeks to trace the changing function of wonder in response to nonhuman species as its manifests in the literary record. The first part of the discussion focuses on the Fifteenth to the Seventeenth Centuries: focussing on the writings of Christopher Columbus, Antonio Pigafetta, René Descartes, and Aphra Behn, it explores how the transformation from Medieval to Early Modern ways of understanding the nonhuman world was experienced through encounters with astonishing species of animals previously unknown (to Europeans), and accompanied by radical shifts in the systems of knowledge that had previously been brought to bear on nonhuman living beings. The second part of the article conducts a brief examination of the role of wonder in the more recent literary tradition of magic realism, with a focus on the works of Jorge Luis Borges, Gabriel García Márquez, and Yann Martel.

Author Biography

Philip Armstrong, University of Canterbury

Philip Armstrong is Professor of English at the University of Canterbury in New Zealand. He is a founding member of the New Zealand Centre for Human-Animal Studies (www.nzchas.canterbury.ac.nz) and the author of Shakespeare’s Visual Regime (Palgrave 2000),Shakespeare in Psychoanalysis (Routledge 2001), What Animals Mean in the Fiction of Modernity (Routledge 2008), and Sheep (2016). He is the co-author (with Annie Potts and Deidre Brown) of A New Zealand Book of Beasts (Auckland University Press 2013) and the co-editor (with Laurence Simmons) of Knowing Animals (Brill 2007).

Published

2019-07-03