Resisting the Event: Aesthetics of the Non-Event in the Contemporary South Asian Novel

Authors

  • Megha Anwer Purdue University

Keywords:

Event, 9/11, war on terror, subaltern studies, mourning

Abstract

This essay interrogates the ways in which contemporary fiction from the subcontinent responds to the evental-turn in Western philosophy, historiography and popular media discourse. Today, this seemingly unanimous and all pervasive fixation with colossal moments – whether they are revolutionary, politically progressive ones or apocalyptic, terroristic ones – grips our collective global imaginary like never before. The post-9/11 context of the war on terror has compelled us all to accept, willy-nilly, the cloying power of event-centric narratives. In this context I study Vikram Chandra's Sacred Games, Arundhati Roy’s The God of Small Things and Mohsin Hamid’s The Reluctant Fundamentalist to suggest that that contemporary literary experimentations emerging out of South Asia proactively resist the event’s magnetic power to create an inescapable force field that keeps everything constantly aligned in relation to itself.

Author Biography

Megha Anwer, Purdue University

Megha Anwer is a final year PhD candidate at Purdue University. Her dissertation examines the ways in which nineteenth century and contemporary postcolonial narratives of crime and terror intersect with questions of urban mobility for Victorian women and twenty-first century Muslim men. She works with literary, cinematic and photographic texts and has published articles in Victorian Studies, Journal of Postcolonial Writing, Journal of Graphic Novels and Comics, Short Film Studies and Widescreen

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Published

2014-11-26