Resisting Colonial Mastery: Becoming Animal, Becoming Ethical in The Impressionist.

Jason D Price


Theories about Third Space or “in-betweeness” often lack an ethics that responds to the position of the majority of those people who experience the violence of colonialism, as Amar Acheraïou argues. How can we think hybridity with a more committed ethics? Hari Kunzru’s The Impressionist suggests that much of the violence experienced by humans and animals under dominant or colonial thought stems from a traditional view of subjectivity as fixed, stable, knowable, distinct and perhaps independent from the nonhuman. Colonial logic sacrifices and views as “disposable” those regarded as not human or somehow less than human through a sense of mastery and in order to maintain a stable notion of subjectivity, an exclusionary definition of Man, and a particular hierarchy or ordering of the world. This article argues that The Impressionist portrays subjectivity not as fixed but in process after Deleuze and Guattari’s “becoming animal” as a way to challenge dominant thinking, while also emphasizing the nonhuman nature of subjectivity and human dependence on the nonhuman, including the environment, for existence. The Impressionist offers an important corrective to concepts of hybridity by emphasizing that those humans and nonhumans regarded as “disposable” demand ethical response.


hybridity, subjectivity, becoming animal, postcolonial ecocriticism, The Impressionist

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The Johns Hopkins University Press

ISSN: 1920-1222

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