The ventilator and the vaccine: Necropolitics and fat in the Covid-19 pandemic
DOI:
https://doi.org/10.55016/ojs/jcph.v1i1.77900Keywords:
obesity, Covid-19, Necropolitics, Biopolitics, EugenicsAbstract
During the Covid-19 pandemic, the fat body was caught up in complicated logics of life and death in the North American context, where “obesity” was regarded as an “underlying condition” for greater risk of severe disease and death from Covid. As such, bodies with high Body Mass Indexes (BMIs) were refused Intensive Care Unit (ICU) ventilator care in certain jurisdictions, which fat activists classified as eugenics. At the same time, in some jurisdictions, vaccination campaigns prioritized people with higher BMIs for scarcely available Covid vaccinations, also on the basis of fat bodies’ higher risk status for Covid death. This paper explores the seeming tension between two articulations of fat during the Covid pandemic, whereby fat bodies were simultaneously worthy of life and of death in the same moment. Using MBembe’s conceptualization of necropolitics, which draws out and expands upon Foucault’s notion of biopolitics, I argue that the two perspectives on fatness operated in tandem, within an overall temporal shift in classification of obesity: from that of a risk factor for eventual death to that of an emergent threat. Such a temporal shift, I argue, relied on well-worn eugenic patterns in Canada, through which “normative” white bodies were prioritized for life through a complex necropolitical practice by which fat bodies were both made live and let die.
Published
Issue
Section
License
Copyright (c) 2024 Deborah McPhail
This work is licensed under a Creative Commons Attribution 4.0 International License.
All articles in the Journal of Critical Public Health are published under a CC BY 4.0 license. This means that the author keeps sufficient intellectual property rights to reuse all materials in their article as they see fit. This includes the right to republish the article elsewhere (e.g. in a collected volume or anthology), and to share the article in a repository or archive of their choice. The CC BY 4.0 license also means that the author grants others the right to remix, transform, and build upon the materials in the article for any purpose, on the condition that proper credit is given (as is customary in academic work). Please note that JCPH holds no rights over published articles.